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These clippings demonstrate Verna Arvey's strong interest in the anti-Communist movements of the mid-twentieth century, primarily Senator Joseph McCarthy's investigations.

#Antique bakery korean movie cd1 and cd2 series

The Scrapbooks series primarily contain Verna Arvey's collection of clippings which document political and social events between the 1940s and the early 1970s. Within the Printed Materials and Clippings series are programs and newspaper articles, many of which are originals, that document the performances and the wide acceptance of Still's music. However, Still's diary entries from 1930 contain reflections on his faith and spirituality, his music, and his first marriage to Grace Bundy. The diaries of both Still and Verna Arvey primarily record daily activities. Correspondence between Arvey and Carl Van Vechten is also included. Within these exchanges, there is some discussion and criticism of Still's compositions, reflections on the problems confronting African-American musicians in the 1930s, and a discussion of the possibility of Still teaching at Howard University. The Correspondence series includes letters between Still and Alain Locke as well as Still and Charles Burch.

An autographed copy of Arvey's In One Lifetime is included. This series also contains writings by Verna Arvey and Judith Anne Still.

The Writings series contains several articles by Still as well as biographical and critical works about Still and his music. However, some information pertaining to his work as well as his personal life is available.

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Since gaps are evident within the diaries and correspondence, these materials do not provide a full and detailed understanding of Still's career development.

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Insofar as documenting Still's professional life, the diaries, writings, and correspondence are less complete than the music. Included in the recordings are performances by Louis Kaufman, Peter Christ, Videmus, the William Grant Still Music Performing Arts Society, the Denver Symphony and San Francisco Symphony Orchestras, and other individual artists and orchestras. Recordings for some of Still's works are available in compact disc, LP, and audio cassette formats. Countee Cullen, Verna Arvey, Arna Bontemps, Langston Hughes, and Katherine Garrison Chapin are represented among those who wrote librettos or texts for Still's arrangements. Originals from these companies are present. Among the various publishers represented are Charles Pace and W.C. Conductors' scores and published arrangements are included. The various genres or mediums in which Still worked, including symphonies, operas, spirituals, songs, and chamber music are represented in the collection. The collection does not contain all the music Still composed, however it does contain a substantial number of his works and can adequately support the research of Still's compositions. In addition, materials (primarily writings and librettos), created by Verna Arvey, Still's second wife, also form an integral part of the collection.Ī substantial portion of the collection is comprised of music in manuscript and printed formats as well as in recorded formats, and is contained in the Music series and Recordings series. Still's music gained recognition due to his ability to compose classical music which both reflected distinctive African-American as well as African influences. The collection relates to the historical and critical study of his music, as well as being a valuable source of arrangements for performances. The William Grant Still Papers, 1877-1992, contain chiefly photocopies of music, writings, correspondence, diaries, pictures, printed material, clippings, and recordings, which primarily document his work as a composer. Also included are several albums released by the group, including two from the Jesus Christ Power and Light Company and several from SBSB, and captures of the group's website from 2010-2012. Included in the collection are audition sheets, song licensing information, fundraising proposals, member comments, publicity photographs, and a number of copies of music selections, some with notes, for the group's performances, among other materials. The Something Borrowed Something Blue records consist of materials related to the activities, performances, album recording and releases, and music selection of the a cappella group Something Borrowed Something Blue. Also included are copies of several albums released by SBSB, and captures of the group's website from 2010-2012. The Something Borrowed Something Blue records include materials documenting the group's activities, beliefs, and music selection and performance. Something Borrowed Something Blue is a co-ed Christian a cappella group at Duke University.